Skip to main content

'Iron Aliya' - Mustafina and the Soviet sports rhetoric

Aliya Mustafina in podium training earlier this week.  Picture: RGF

Rhetoric:  'The art of effective or persuasive speaking or writing, especially the exploitation of figures of speech and other compositional techniques'

From Aliya the champion, we now contemplate Aliya the hero, or 'Iron Aliya'.  There is something about her that is redolent of Russia's Soviet sporting past, and that isn't just in the style of her gymnastics.    The narrative surrounding Mustafina at this competition has moved on somewhat since her appearance at last year's Worlds.  A mystical aura of greatness now accompanies Mustafina whenever she hits the competition floor.  In Sofia, the circumstances of that injury and the rhetoric surrounding Aliya's amazing abilities are only enhancing her presence.

First of all, we have the fantastic pictures of that compelling, beautiful and expressive face.  Then we have the story of her life with its connection to the Soviet sporting past: an Olympic medal winning Greco-Roman wrestler for a father, a legendary Soviet coach.  Her story is littered with loss; the incidental migration of her first coach and the forced migration of her second, a father figure and muse to her World and Olympic gold medals.  She has overcome serious injury to win Olympic gold, recovered magically from illness to dominate the Universiade, overcome a lacklustre Worlds with a beam gold medal that nobody could have predicted.  She is Mustafina, or Iron Aliya as the Russian press has labelled her.  At these Championships, she has carried the full weight of Russia's expectations, to create a story that is ever richer in meaning.

To understand the development of Aliya's presence in the world's imagination we have to look back to the recent history of Russia and its The interpretation of sporting hero status is something that the Soviet press 

Mustafina's story, as interpreted in the press, online, and through the eyes and words of friends, coaches and fans

Unlike other Russian sports heroes - Khorkina perhaps, or Sharapova - Aliya has not succumbed to the allure of the post-Soviet Russian bling, the ostentatious wealth that is so revered in Russian society.  She still lives in the same Moscow apartment with her parents, sister, and their black and white pet cat.  

  Mustafina, at least in part because of her exceptionally expressive face and talent for pulling out extraordinary performances at the clutch point of a competition



By the time Mustafina competes at the Rio Olympics (assuming she wants to go on for another two years) she will be 21, and no doubt at the height of her powers, gymnastic and personal.  She will command a significant emotional response from her audience, but part of her charm is that she is only human.  Will Aliya write her name alongside Comaneci, Tourischeva and Latynina?  There is a long road to travel, but she has begun well ...


Comments

Popular posts from this blog

Alexei Nemov - last of the Soviets, first of the Russians

I-g.tv has recently been updated with some stories from the diving world as well as gymnastics, including a commentary from Vladimir Zaglada on the gymnastics contribution of 2000 Olympic Champion Alexei Nemov.  This is soon to be supplemented by a video montage of Alexei's amazing work on the high bar. There is also a dual (Russian/English) language version of a profile of Alexei : Alexei Nemov – last of the Soviets, first of the Russians Writing a profile of 2000 Olympic Champion Alexei Nemov has not been easy.   There is something so completely intangible about Nemov’s gymnastics, something that defies simple description.  The beauty of his work goes beyond line, technique or acrobatics.  There is a softness that transcends the mere physical. At first, I wanted to write about Alexei’s heroic qualities, of how he reminds me of Detiatin, Tkachev and Mogilnyi.  Mentioning Nemov’s place in the role of honour of Soviet gymnastics seemed to be t...

Is gymnastics still artistic?

Such a lot is said about artistry these days - but you don't really see much evidence of it in the gymnastics.   There are flashing moments of brilliance that some people enjoy - for example, a gymnast like Brazil's Flavia Saraiva is a favourite for her spirited and expressive floor and beam.  Others might prefer the structured work of a gymnast like Kyla Ross.  For me, though, the idea of consummate artistry has been lost almost totally - the last time I saw anything like it was in 2012 when Komova performed her floor so brilliantly in the all around final.  But without a mechanism to reward artistry - something that is absent from this Code of Points - there really isn't much point even trying any more. Aliya Mustafina was interviewed recently while on holiday in Italy and expressed the opinion that artistry was something that was inborn, rather than trained.  She uses a metaphor to describe this - some gymnasts have five gears, not four, and the abilit...

Viktoria Komova - apology

Viktoria wrote some hasty words last night in the heat of the moment.  We all have such times, when hurt feelings lead us to behave uncharacteristically.  It is not important what she said; it is important that Vika has reflected and wants us all to read this message which she published on VK.com this morning. "Dear friends! I want to apologize for my statements about American girls, about drugs, all my words were spoken on emotions. Of course I haven't any proof and didn't really mean it and so on... I am so sorry. I want to apologize for my character to all of you". Vika, we are still with you every step of the way.

RRG Archive - scroll by date, from 2024 to 2010

Show more