Skip to main content

Gymnastika - new issue out

The Russian Gymnastics Federation has published a new issue of its magazine.

Every time I look at these, I wish I had stuck at my Russian classes ... as things stand, they are a wonderful visual recorder of Russian successes and histories, but I would love to be able to engage more with the deeper things presented here.  This issue has a stunning picture of Mustafina on the cover, and inside it a gem ... a piece on Bruno Grandi entitled 'Bruno Grandi : Russian gymnastics is very beautiful!'.   It's an interview, so the man speaks for himself.  I'd love to know what it says and if I do manage to get into a Google translation or find a translation anywhere that the author doesn't mind me using, I promise to post the findings here.  

You will also find an amazing, Facebook-page-worthy picture of the Russian team, all fitted out in best fashion wear, and serving as the topping for a 2011 calendar.

The magazine also includes a feature on Mustafina along with comments from Alexandrov, a look at the life of the doctors on the Russian coaching team (seems to emphasise the relationship between doctors and coaches and how the doctors work hard to get the coaches to follow their advice), and a feature on Evegenyi Podgornyi.  Podgornyi, incidentally, comments ruefully that 'no one does the triple back any more'.

Worthy of more than the momentary scan I've been able to give it, and perhaps grappling with the Google translate will reveal more ... I'll let you know once I've finished this huge pile of marking.

Comments

Popular posts from this blog

Tatyana Nabiyeva on work and love in China

Some highlights from a long interview with 2010 World champion Tatyana Nabiyeva.  Source: Russian team page on VK.com.  Translation - Google translate A big interview with Tatyana Nabieva about the peculiarities of work and life in China, the bright years of her sports career, a little about modern gymnastics and about love. On the Nabiyeva flight — At the same championship, you presented a new element on the bars, which was later added to the rules with your last name (flying over the top bar with a straight body, difficulty group F. — Sport24). How did you come up with the idea to try something new? — Actually, it happened spontaneously, I think. We worked with Vera Iosifovna [Kiryashova] on the purity of the elements on the bars, sometimes I didn’t fly all the way to the Shaposhnikova element. Once I didn’t fly all the way to the bars either and stood on my feet between the bars, bending my legs in flight for safety. Then Vera Iosifovna said that this was a different eleme...

Men's team results : Russian national championships

Full results are available here . In summary, 1    Moscow    (Olennikov, Garibov, Gogotov, Bondar, Stolyarov, Ablyazin)    261.55 2    Siberia       (Devyatovski, Pakhomenko, Ignatiev, Cherkasov, Golutsotskov  259.85 3   Central       (Barkalov, Nyudakin, Markelov, Perevoznikov, Bondar, Ignatenkov   255.00 Interesting - Mikhail Bondar appears to have competed for two teams simultaneously here - Moscow and Central - not sure how this works but quite pleased with myself for noticing it ;-)  Only his high bar score counted for the Central team.  One of the wonderful mysteries of Russian gymnastics.  Hopefully we'll have the women's team results later.  And perhaps I'll discover something even more wondrously mysterious there.  Who knows. 

The State of Gymnastics - 'Soviet' or 'American' style?

Lioudmilla Tourischeva, 1972 Olympic All Around champion in artistic gymnastics, was held up as an example of the ideal Soviet citizen.  Here she coaches one of the Soviet Union's leading gymnasts from the 1980 Olympics, Natalia Shaposhnikova The Soviet Union had a genius for lifting sport beyond the textbook, injecting the aesthetic where previously only goals had been in plain view.   This was not only manifest in gymnastics.  Do you remember the ‘Russian Five’, the players who elevated ice hockey to a creative sporting display, mesmerising their opponents and spectators with intricate patterns of play, so rhythmic and entertaining that they could have been set to music?   In gymnastics, a sport where the aesthetic counted as much as the outcome, it was this ability to create spectacle out of competition that resulted in the most extraordinary athletic performances.  The ‘Golden Era’, most commonly understood to cover the years from 1952-1...

RRG Archive - scroll by date, from 2024 to 2010

Show more