Google translate from VK.com - Match TV talked to Victoria Listunova about the Olympic summer without participating in the Games, recovery, and memories of Tokyo three years later. We are copying several fragments, and the full interview is available on the Match TV website ❓ Victoria, how are you feeling? How was your recovery from the injury? Was it an old problem or some kind of force majeure? 💬 The injury may have been cumulative, it was not immediately revealed, I am now trying to train in the same volume as before. I am restoring my program. It took a long time for rehabilitation. From April until mid-summer, I was completely without loads, so that the injury would heal and never bother me again. But it is not like I was resting all summer. I was constantly present at the training camps, went through all the recovery procedures. At first there was complete rest, then I trained as much as possible without pain. So there were trainings, but in a minimal mode. In the sum...
music and artisty haven't been major (or even significant) elements in exercise composition or judging for the last several Codes.....expect the usual FIG blather resulting from these workshops but do NOT expect any perceptible change....
ReplyDeleteI am all for it, but to me tha FIG is playing with a double edge sword. for example the women are unfairly being push to try 4 hard difficult passes, insert all the requirements in the COP, come up with a good choreagraphy, and they have to stick their landing like the men and now with no pauses in the corners, that is a recipe to bring more injuries. but the men floor exercise is nothing but tumbling passes from one corner to the next. the men no longer have to do scales, or 2 different kinds of planches and handstand, and absolutely no flairs or show flexibility. something is got to give.
ReplyDeleteto me they should allow the women to return to lunges, only penalize them if they stand more than 3 seconds in the corners, and increase the time to a minute and forty five or fifty seconds per exercise in order to have them to work on choreagrophy while incorporating all the requirements in the COP and the 4 tumbling passes.
Gymnasts are not initially selected for their artistic abilities, but rather their athletic , and they might or might not have an artistic bone in their body. The code is not conducive to artistic endeavour and has not been for quite awhile. You cannot quantify artistry.
ReplyDeletePossibly the choreographers have adapted to the scoring reality and have a few dynamic poses on the way to a multitude of counting skills.
I still think the Russians are the best in the world artistically