It is with great sadness that I report here the sudden and completely unexpected death, on 5th October, of our friend Vladimir Zaglada. I send my love and condolences to his daughter, Olesya. My thoughts are with the whole family. Vladimir was born in Lvov, Ukraine, in November 1944. His father was a progressive lawyer of great courage who was known to defend those who challenged the Soviet authorities. Vladimir trained as a sports acrobat under the developing Soviet sports system, working in the same club as Olympic champion Viktor Chukarin. After moving to Moscow, he became a leading coach of women's gymnastics, supporting the development of high level acrobatics. He worked particularly closely with the up and coming young gymnasts of the early 1980s - you can see him at work in the video 'You in Gymnastics'. At the national training centre, Lake Krugloye, he worked with Filatova, Mostepanova, Yurchenko, Arzhannikova, Mukhina and more. Around the mid 1980s Vlad
music and artisty haven't been major (or even significant) elements in exercise composition or judging for the last several Codes.....expect the usual FIG blather resulting from these workshops but do NOT expect any perceptible change....
ReplyDeleteI am all for it, but to me tha FIG is playing with a double edge sword. for example the women are unfairly being push to try 4 hard difficult passes, insert all the requirements in the COP, come up with a good choreagraphy, and they have to stick their landing like the men and now with no pauses in the corners, that is a recipe to bring more injuries. but the men floor exercise is nothing but tumbling passes from one corner to the next. the men no longer have to do scales, or 2 different kinds of planches and handstand, and absolutely no flairs or show flexibility. something is got to give.
ReplyDeleteto me they should allow the women to return to lunges, only penalize them if they stand more than 3 seconds in the corners, and increase the time to a minute and forty five or fifty seconds per exercise in order to have them to work on choreagrophy while incorporating all the requirements in the COP and the 4 tumbling passes.
Gymnasts are not initially selected for their artistic abilities, but rather their athletic , and they might or might not have an artistic bone in their body. The code is not conducive to artistic endeavour and has not been for quite awhile. You cannot quantify artistry.
ReplyDeletePossibly the choreographers have adapted to the scoring reality and have a few dynamic poses on the way to a multitude of counting skills.
I still think the Russians are the best in the world artistically