Olga with her coach Sofia Muratova in 1971. You can also see a video of Olga training with Sofia at http://youtu.be/rDLY5Ctbe38 I wanted to record in English the key points of this 2001 interview with Olga. Thanks to Maryam Vulis who gave me the link. Date of article - 7th March 2001 Author - Vladimir Golubev Link to Russian language source - http://viperson.ru/articles/olimpiyskaya-chempionka-razoblachaet-dvoynika Olga invited me to visit her cozy one-bedroom apartment. I see family gymnastic albums, remember her youth, and gradually ask a few questions. - What a voluminous file of documents! It shows how much time and effort had to be expended to get to court. Correspondence, lawyer requests, decisions, resolutions, agenda ... - Actually, this story began a long time ago. Once, German broadcaster RTL screened an interview ... with my double! A certain woman who said that she was Olympic champion in gymnastics, Olga Kovalenk...
music and artisty haven't been major (or even significant) elements in exercise composition or judging for the last several Codes.....expect the usual FIG blather resulting from these workshops but do NOT expect any perceptible change....
ReplyDeleteI am all for it, but to me tha FIG is playing with a double edge sword. for example the women are unfairly being push to try 4 hard difficult passes, insert all the requirements in the COP, come up with a good choreagraphy, and they have to stick their landing like the men and now with no pauses in the corners, that is a recipe to bring more injuries. but the men floor exercise is nothing but tumbling passes from one corner to the next. the men no longer have to do scales, or 2 different kinds of planches and handstand, and absolutely no flairs or show flexibility. something is got to give.
ReplyDeleteto me they should allow the women to return to lunges, only penalize them if they stand more than 3 seconds in the corners, and increase the time to a minute and forty five or fifty seconds per exercise in order to have them to work on choreagrophy while incorporating all the requirements in the COP and the 4 tumbling passes.
Gymnasts are not initially selected for their artistic abilities, but rather their athletic , and they might or might not have an artistic bone in their body. The code is not conducive to artistic endeavour and has not been for quite awhile. You cannot quantify artistry.
ReplyDeletePossibly the choreographers have adapted to the scoring reality and have a few dynamic poses on the way to a multitude of counting skills.
I still think the Russians are the best in the world artistically