Young Olga in her white leotard and orange hair bows, at her first international competition in Wembley, 1980 I had only been in the Olympiski Stadium, Moscow, for a few moments when it happened: I found myself surrounded by a little army of tiny children, excitedly chattering away in Russian, a language I don't speak. I strained my ears and heard the names : Aliya, Nastia, Ksenia; I was swept along by this blizzard of pigtails, giggles and pretty eyes; and suddenly I lost myself, and started looking for Olga Mostepanova amongst them. She might have been there, but (now in her forties) it is more likely that she was hard at work in her own gym, helping a young gymnast learn how to do a walkover on beam. Mostepanova was always like that, even as a child: her gymnastics appeared like a beautiful daydream, but the reality was infinitely more prosaic. The exquisite plasticity that made her a Champion, the beautiful line for which she is famous, were the product ...
music and artisty haven't been major (or even significant) elements in exercise composition or judging for the last several Codes.....expect the usual FIG blather resulting from these workshops but do NOT expect any perceptible change....
ReplyDeleteI am all for it, but to me tha FIG is playing with a double edge sword. for example the women are unfairly being push to try 4 hard difficult passes, insert all the requirements in the COP, come up with a good choreagraphy, and they have to stick their landing like the men and now with no pauses in the corners, that is a recipe to bring more injuries. but the men floor exercise is nothing but tumbling passes from one corner to the next. the men no longer have to do scales, or 2 different kinds of planches and handstand, and absolutely no flairs or show flexibility. something is got to give.
ReplyDeleteto me they should allow the women to return to lunges, only penalize them if they stand more than 3 seconds in the corners, and increase the time to a minute and forty five or fifty seconds per exercise in order to have them to work on choreagrophy while incorporating all the requirements in the COP and the 4 tumbling passes.
Gymnasts are not initially selected for their artistic abilities, but rather their athletic , and they might or might not have an artistic bone in their body. The code is not conducive to artistic endeavour and has not been for quite awhile. You cannot quantify artistry.
ReplyDeletePossibly the choreographers have adapted to the scoring reality and have a few dynamic poses on the way to a multitude of counting skills.
I still think the Russians are the best in the world artistically