M elnikova, Mustafina and Afanasyeva take creative control at Round Lake. You can see the video on Angelina Melnikova’s YouTube channel. They are discussing a new floor routine for Angelina; she wants to dance to Michael Jackson. Afanasyeva, 2012 Olympic medalist and a world champion on the floor, has been a choreographer for the national team for a few years now. She says, ‘Gel, first we need to understand the plan—what we’re actually doing.’ They discuss how many tumbles Angelina will perform, and where the tumbles will come in the routine. Angelina says, she likes ‘Billie Jean’, it’s her favourite … But Afanasyeva has other ideas, linking into the dance shapes she has seen in a video: ‘Thriller . Start with Thriller . It begins with that image, right from the beginning when it starts.’ She shows us the dance. ‘I suggest taking a 1.5-minute or 1-minute segment of the dance directly.’ They promise to be in touch by email. ...
music and artisty haven't been major (or even significant) elements in exercise composition or judging for the last several Codes.....expect the usual FIG blather resulting from these workshops but do NOT expect any perceptible change....
ReplyDeleteI am all for it, but to me tha FIG is playing with a double edge sword. for example the women are unfairly being push to try 4 hard difficult passes, insert all the requirements in the COP, come up with a good choreagraphy, and they have to stick their landing like the men and now with no pauses in the corners, that is a recipe to bring more injuries. but the men floor exercise is nothing but tumbling passes from one corner to the next. the men no longer have to do scales, or 2 different kinds of planches and handstand, and absolutely no flairs or show flexibility. something is got to give.
ReplyDeleteto me they should allow the women to return to lunges, only penalize them if they stand more than 3 seconds in the corners, and increase the time to a minute and forty five or fifty seconds per exercise in order to have them to work on choreagrophy while incorporating all the requirements in the COP and the 4 tumbling passes.
Gymnasts are not initially selected for their artistic abilities, but rather their athletic , and they might or might not have an artistic bone in their body. The code is not conducive to artistic endeavour and has not been for quite awhile. You cannot quantify artistry.
ReplyDeletePossibly the choreographers have adapted to the scoring reality and have a few dynamic poses on the way to a multitude of counting skills.
I still think the Russians are the best in the world artistically