Routines from the 1982 Soviet Championships. Enjoy a tiny, 12 year old Elena Shushunova, Olga Mostepanova, Alla Misnik; and Natalia Ilienko is accorded the dignity of her own music to perform on floor ...
You will find a link to the FIG's newly published book of results at the Olympic Games here . This year, they have broken down the judge's execution scores so you can see exactly how each judge evaluated the gymnasts' performances. It makes for interesting reading - if only I had more time to analyse each judge's marking. A skim reading already highlights multiple inconsistencies in individual judges' marks and makes you wonder why they bother with the jury at all. I have taken the time to look at the reference judges' scores for the top four in the women's all around. The FIG explains here what their role is, and how they are selected. I even used my calculator, which is a risky thing in my hands. My, how I wish we could have seen a similar document for the Tokyo World Championships. I wonder if anyone can explain how, if the FIG's Code of Points is so objective and fair, it is possible to come up with two different results using two differ...
Thank you! This film is even more interesting than the other. Funny thing is that Andrey Rodionenko was a consultant. Commentator provides analysis of the executed skills and perspectives of using them in the composition. Also he analyzed the possibility of upgrades for this skills. Almost in the end commentator sad, that some experts fear a more complicated gymnastic elements will lead to the deterioration of the aesthetic side.
ReplyDeleteUnfortunately experts were right. Those gymnasts were so beautiful to watch.
When I was a kid and watched the Goodwill Games, I saw Yelena Shushunova. I was so delighted with what this woman did, I put in my head that I had to do that too .... (I just did not know that girls like she began training since she was 6 years and trained all day kkkkkkk )
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