Skip to main content

Afanasyeva!

Courtesy RGF


Wearing her Olympics leotard yesterday afternoon, Ksenia Afanasyeva faced off all doubts about her ability to manage pressure with a breathtaking performance on the floor.  Afanasyeva's artistry is now matched by her confidence and aggression in the all-important tumbling.  Her start value of 6.3 was the highest of the competition, her score of 15.166 superior to that earned in Tokyo two years ago when she took the world title on this apparatus. Short term, she has sacrificed some of the choreography from her Olympic floor routine to favour work on consistency, but a new routine is promised for this autumn's World Championships.

The pressure Afanasyeva faced came from many directions, most tangibly in the audience she faced who included many of the most influential people in sport in Russia.  Sports Minister Vitaly Mutko and senior representatives of sponsors VTB were there to check on and celebrate the results of their considerable investment.  History faced Afanasyeva in the form of Olympic champions Alexei Nemov and Larissa Latynina.  These were just four of the many dignitaries visible in the VIP tribune situated right in front of the floor area and who she faced as she took up her starting position

Afanasyeva asserted her right to a third major gold medal in her seven year long international career with a beautiful and feisty expression of her talent that has all but erased the bad memory of a flunked routine in London's team final last July.  At the end of her routine, the Russian who lays the greatest claim to Russia's classical tradition took a deep intake of breath before walking slowly away from the floor area, deep in thought, then running towards the tribune where family and friends congratulated here.  It was deeply moving to share her joy.




Comments

  1. stunning!!! Great article!!! Afanasyeva is really a amazing gymnast!

    ReplyDelete
  2. It was beautiful routine. Xenia (i like this transcription better) gave no chance to doubt who the champion is.
    Dear Queen Elizabeth, do you planning to write a travel notes about the trip to the championship? It would be interesting to read your impressions of Moscow, people and so on.

    ReplyDelete
    Replies
    1. Hi Cpt Hook, yes that is planned ... a few weeks' time. I loved Moscow!!

      Delete
  3. She's truly incredible on floor. She has a way of transcending so much power with her tumbling and yet it coombines well with her usual mature/classical dancing. Afansyeva for Gold FX 2016!

    ReplyDelete
  4. So beautiful yet so powerful! I was worried that she would want to retire after the London Olympics but yet she is still here at the highest level of gymnastics. I hope she continues to train and participate in her 3rd Olympics in 2016!

    ReplyDelete

Post a Comment

Popular posts from this blog

Aliya Mustafina - I competed as best I could

Picture credit RGF Aliya speaks in Sports Express http://news.sport-express.ru/2014-05-18/699607 I am very pleased with my performance today, I don't know what the judges didn't like about my bars, but I didn't ask them ... I did my routine fairly well without serious error. On beam I didn't have the start value but I received the highest execution score.  We will try to fix that before the World Championships. Considering the problems I had with my ankle, I think I performed to the optimum at the moment.  I did everything I could. I'm not  the least bit sorry that I performed here -  Very glad that I could help the team. I think my presence made things easier for the girls.   It is very difficult to compete at such serious senior competitions for the first time.  Of course they were very worried.   But I'm sure that with time they will learn to cope easily with their nerves (smiles). 

Remembering last summer - Nelli Kim, her judges and Viktoria Komova

In view of Nelli Kim's recent interview , Lupita and I thought it timely to revisit the performance of some of the WTC President's judges over past competitions ... this article from 27th August 2012 is reposted here, as a reminder. You will find a link to the FIG's newly published book of results at the Olympic Games here .  This year, they have broken down the judge's execution scores so you can see exactly how each judge evaluated the gymnasts' performances.  It makes for interesting reading - if only I had more time to analyse each judge's marking.  A skim reading already highlights multiple inconsistencies in individual judges' marks and makes you wonder why they bother with the jury at all. I have taken the time to look at the reference judges' scores for the top four in the women's all around.  The FIG explains here what their role is, and how they are selected.  I even used my calculator, which is a risky thing in my hands.  M...

Does Komova need gymnastics?

Komova - a prodigious talent for performance I have been pondering the nature of gymnastics talent recently, while viewing some videos of 1992 competitions on YouTube - you can find links to them if you like, by visiting RRG's Facebook page. What was it that made the Soviets so outstanding?  In the videos, you will see three champions, side by side, each competing close to perfect routines almost every time they hit the podium.  No sprung floor, no vaulting table, a Code that (1) required compulsory as well as optional routines to be prepared, (2) encouraged innovation in single moves of extreme difficulty, (3) required balanced performances of artistic as well as technical merit, and (4) recognised and rewarded virtuosity.   The three champions I am speaking of each satisfied the Code in different ways: Boguinskaia had unique and incredible grace and amplitude; Lyssenko expressed emotional intensity through an amazing combination of power, difficulty and artistry; Gutsu ...

RRG Archive - scroll by date, from 2024 to 2010

Show more