Skip to main content

Photo Gallery - Russian Championships 2012


A single picture is worth thousands of words, so take your time to look at these images.  Consider the variety of feeling, shape and flow.  There is a quality of gymnastic eloquence that is about more than 'form'.  A quality that is trained, but innate and deeply embedded in Russia's gymnastics culture.  A quality that has been uniquely the possession, and responsibility, of the Russians in recent years. I believe it used to be called virtuosity.  Consummate artistry.   The beauty, the power and the glory.

These Russian women gymnasts are the rarest of the rare, the final, finest remaining strand of a chain of heritage.  You are experiencing here the last masters of a fading art form.  In London, America may well take the medals with their power and consistency.  But Russia already owns the soul of artistic gymnastics.  Only they understand the sport in all its colours.  What we call choreography is for them an alchemy of technique, energy and emotion.  Few, if any, are capable of emulating them.  Their consummate mastery and leadership is vastly underrated.

These stunning photographs were taken by Elena Mikhailova.  There are more at the Russian Gymnastics Federation's site.  A series of galleries will shortly be under development on this blog's Facebook page.

Aliya Mustafina.  Her downcast eyes lend a feeling of anticipation to this static pose
Grishina draws attention towards her arms, hands and face in this strong, concentrated starting pose
Yulia Inshina.  The head position shadows the backward angle of the arms; eye and hand direction is aligned in this forward moving choreography
Anna Rodionova - light as a butterfly
Harmony: the 'X' of the arms is balanced by a similar pose of the legs; the downcast face lends drama
This charming, complex pose characterises Rodionova's wistfulness and youth, pulling the audience in with an outstretched, open palm.  A subtle cross of the arms is balanced by similar leg positions.

Even in transition, Mustafina displays grace and perfect body alignment in this difficult twisting leap on the beam
Mustafina's personal brand of expression: ambition, energy, charisma
Anastasia Grishina - head to toe expression
Even in this strong, risky flight Grishina's fingers and toes remain extended
Arms mirror legs in this softly flowing leap
Framing the face for dramatic effect
Mustafina maintains eye contact, even in this head position - notice the trademark purple nails!
'I want to fly' - Anastasia Grishina
Mustafina conveys determination and poise
Even this slightly off-angle shot captures Afanasyeva's talent for shape, mood and expression
Energy and emotion is emphasised by the backward sweep of the head, legs and arms
 Photographs by kind permission of the Russian Gymnastics Federation

Comments

Popular posts from this blog

Who really won the WAG All Around?

You will find a link to the FIG's newly published book of results at the Olympic Games here .  This year, they have broken down the judge's execution scores so you can see exactly how each judge evaluated the gymnasts' performances.  It makes for interesting reading - if only I had more time to analyse each judge's marking.  A skim reading already highlights multiple inconsistencies in individual judges' marks and makes you wonder why they bother with the jury at all. I have taken the time to look at the reference judges' scores for the top four in the women's all around.  The FIG explains here what their role is, and how they are selected.  I even used my calculator, which is a risky thing in my hands.  My, how I wish we could have seen a similar document for the Tokyo World Championships. I wonder if anyone can explain how, if the FIG's Code of Points is so objective and fair, it is possible to come up with two different results using two differ...

The State of the Art - Gymnastics in 2013

Just picked up Peter Aykroyd's 1987 book  International Gymnastics: Sport Art or Science?.  Seeing it reminded me that gymnastics is in a constant state of flux and change; its identity has been subject to debate and conflict since the earliest days of competitive gymnastics, well before it existed in the form we recognise today.  I want to try to talk about the state of the sport today, how it compares to past models, how it arrived at this point, and what are the questions arising. I make no apologies for publishing the picture comparisons on this page, which were created by Lifje.  Some have seemed to find them rather challenging in the past, but they are not airbrushed or altered in any way.  Yes, the pictures are purpose selected for the sake of comparison, but they express a truth about the direction the sport has taken over the past few years.  They are not so much about Russia versus America as artistry versus athletics.  I do not pretend...

Aliya Mustafina - 'each medal is very special'

'I'm very happy that everything turned out well today  ... Each medal is very special.  The UK team made mistakes, so there was a wide margin [of victory]... But naturally, [what I did] is not enough for the Olympics.  I prepared well for beam and bars but I am not ready for floor, I stepped up to help the team. ... To be honest, I did not look at the scores [when asked how the team reacted to the 6.5 gap before the final apparatus].  Gelya (Melnikova) is a good girl, she did everything and did not falter ... Seda fell on quite a complex element.  There is more work to do, but everything else went well.' [About a protest taken by the coaches on her beam score]. 'I am used to my protests being rejected, everything is normal!' Via vk.com I n other news , the UEG has confirmed that Spiridonova will replace Melnikova in tomorrow's bars final. No reason is given, but it is generally considered that Dasha has a better chance of gold.  This decision also means tha...

RRG Archive - scroll by date, from 2024 to 2010

Show more