Skip to main content

Can judging ever be objective? Part 1

In my usual butterfly manner I am dipping in and out of matters somewhat haphazardly, without looking at individual areas in too much depth. This is partly because I lack concentration at the times I come to write this blog, but also because I tend to like to see a whole picture, even if slightly out of focus, rather than part of a picture in intense focus. Inter-relationships between different phenomena interest me more than single ideas. Also, my passion is for gymnastics and what lies behind its creative and expressive development, rather than a particular set of theories.

Gymnastics is not something I observe coldly from the outside; I live each new and old routine, and my judgement of them comes from within me, and is preceded and shaded by many previous experiences. I am an armchair admirer of the sport; my main gymnastic achievement ever was to execute a forward roll without breaking my neck, and yet my recollection of my ā€˜favouriteā€™ routines is always tinged with emotion and memories that go beyond mere intellectual recollection. This can work in reverse, accidentally and suddenly, as well as when deliberately recalling the detail of a competition. So when I hear a particular piece of music, it can remind me of a floor exercise. Natalia Ilienkoā€™s 1981 floor exercise regularly pops up when I am listening to Classic FM. Swallows diving over a swimming pool in Crete reminded me of Comaneciā€™s graceful Hecht dismount off bars at the Montreal Olympics. Gymnastics trips me up from time to time in my everyday life and appears in places it never should, but it is always a welcome visitor.

So my view of gymnastics is completely subjective and personal. When I see a routine I feel for the grace rather than recognise and evaluate it as something that has particular characteristics. I respond to the large and spectacular and invest performances with emotion. These feelings most probably do not match the way others perceive the routine, and many of the features of the performance that I will enjoy will be intangible. It is the involuntary, unplanned beauty of gymnastics as opposed to the deliberate artistry. The Code of Points tries to quantify both, but fails.

If my perceptions are wholly personal, influenced by a host of personal experiences unique to me, and something that comes from within myself, there must be significant problems involved in using my sensory evidence to assign creative value to work. Yet who is to say that my personal assessment is of more or less value than anotherā€™s? In acknowledging sport as art and accepting gymnastics as a sport within which both the artistic and aesthetic are important, do we not need to acknowledge the critical role of subjective judgement? Can judging ever be objective?

Comments

Popular posts from this blog

Simone and the others - results and reflections

In the end, it was as predicted : Simone and the others, with Simone's teammate, Alexandra Raisman, providing the back up.  I do not need to point out that, by definition, the Americans are scoring significantly higher marks than the rest of the field.  Congratulations to them! Aliya Mustafina finished in third place.  The 2012 bronze medalist led the competition after vault and uneven bars, but had a very nervous outing on beam that might have taken a less experienced gymnast out of the medals.  A bravura performance on floor brought Aliya back though to confirm her third place all around.  From her senior debut in 2010 to today, Mustafina has continuously set high standards of grace.    It is the first time since 2000 that a gymnast (Amanar) has medalled in the all around at two consecutive Olympics, and  if Aliya can medal on Saturday's uneven bars final, she will once again be Russia's biggest medal winner of the women's gymnastics.  Russ...

ā€˜My daughter likes gymnastics. For us, this is the big successā€™. Aliya Mustafina talks to Match TV

Via VK.com.  Google translate A big interview with Aliya Mustafina was published on MATCH!. We provide a small excerpt below, and the full version is available on the website at the link below  ā“ Aliya, you are now the head coach of the junior artistic gymnastics team. What does your typical day look like? šŸ’œ My current life is similar to what it was when I was competing. In the morning, I have breakfast and go to work by 9:00, we train for four hours, have lunch, rest and train for another three hours. During the training camp, the athletes live at the base. They live and train on the same territory. ā“ Do you manage the gymnasts' personal trainers or do you evenly distribute the responsibilities? šŸ’œ We work in contact with the personal trainers, I listen to their opinions. For example, if the trainer believes that their athlete needs to be given a little rest or do fewer repetitions of a particular exercise, we do so. ā“ Describe the current generation of children. Do they nee...

RRG Archive - scroll by date, from 2024 to 2010

Show more