Routines from the 1982 Soviet Championships. Enjoy a tiny, 12 year old Elena Shushunova, Olga Mostepanova, Alla Misnik; and Natalia Ilienko is accorded the dignity of her own music to perform on floor ...
I’d like to add some thoughts to my earlier post about USA gymnastics and Bela Karolyi: 1. What Bela did, he did. He would agree that his actions were his responsibility. 2. Abusive relationships in USA gymnastics (and no doubt elsewhere) pre-existed Bela’s move to the USA and still exist today. 3. Harsh training existed and exists in all of the ‘artistic’ sports and dance-related forms - eg ballroom dancing, ballet, ice skating, circus. The training involved in most of these activities is founded on an assumption of the benefits of early specialisation. It revolves around ‘ideal’ forms, shapes and postures that are difficult to achieve without early years training - women especially. 4. Wherever prodigious early talent exists, there are predators whose main desire in life is to take advantage of that talent - music, entertainment, maths, sport. The boundaries very easily become confused. Who owns the talent? Who decides how many hours to work, at what level? FOR WHOSE BENEFI
Thank you! This film is even more interesting than the other. Funny thing is that Andrey Rodionenko was a consultant. Commentator provides analysis of the executed skills and perspectives of using them in the composition. Also he analyzed the possibility of upgrades for this skills. Almost in the end commentator sad, that some experts fear a more complicated gymnastic elements will lead to the deterioration of the aesthetic side.
ReplyDeleteUnfortunately experts were right. Those gymnasts were so beautiful to watch.
When I was a kid and watched the Goodwill Games, I saw Yelena Shushunova. I was so delighted with what this woman did, I put in my head that I had to do that too .... (I just did not know that girls like she began training since she was 6 years and trained all day kkkkkkk )
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